明中晚期吴中文学的平等观  

On the Equality Concept of Wuzhong Literature in the Middle and Late Ming Dynasty

作　　者：李祥耀[1] LI Xiangyao(Qianjiang College,Hangzhou Normal University,Hangzhou 310012,China)

机构地区：[1]杭州师范大学钱江学院,浙江杭州310012

出　　处：《江苏海洋大学学报（人文社会科学版）》2020年第5期90-98,共9页Journal of Jiangsu Ocean University（Humanities & Social Sciences Edition）

基　　金：国家社会科学基金重大项目(17ZDA238)。

摘　　要：明中晚期,吴中文学平等观念渐成。首先,作家对北地文学不再一味赞扬,以刘凤为代表的作家对北地大家的优缺点都有清醒的认知,主张无论何种地域文学,其文学地位一律平等。其次,吴中作家对以代论诗的现象十分不满,他们或以肯定主体天赋为出发点,或以抒情达意为考量,主张平等对待古今文学。在平等对待历代文学方面,张凤翼、张献翼等人都认为历代文学各有可取之处,并将其付诸实践。这种文学平等观念为晚明、清初的文坛提供了良性基因。In the middle and late Ming Dynasty,the concept of equality in Wuzhong literature gradually came into being.First of all,the writers no longer praise the Northern Literature blindly.The writers represented by Liu Feng have a clear understanding of the advantages and disadvantages of all the northern writers,and advocate that no matter what kind of regional literature,its literary status is equal.Secondly,Wuzhong writers are very dissatisfied with the phenomenon of poetry on behalf of others.They either take affirming the main body's talent as the starting point,or take lyrical expression as the consideration,and advocate equal treatment of ancient and modern literature.In the equal treatment of the literature of the past dynasties,Zhang Fengyi,Zhang Xianyi and others all think that the literature of the past dynasties has its own merits and put them into practice.This concept of literary equality provided a good gene for the literary world in the late Ming and early Qing Dynasty.

关 键 词：明中晚期 吴中文学 平等观 

分 类 号：I206.2[文学—中国文学]