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作 者:孙蒨蒨 Sun Qianqian
机构地区:[1]南开大学文学院
出 处:《文学与文化》2020年第3期26-33,共8页Literature and Culture Studies
基 金:国家留学基金“建设高水平大学公派联合培养博士研究生项目”(项目编号:201906200038)。
摘 要:从当代文化批评的角度看,王尔德的《莎乐美》和《不可儿戏》中都存在着明显的人物性别角色的错乱书写。性别角色是困扰王尔德一生的问题,他自身性别角色的不合时宜以及同性恋行为不仅引起了同时代人的恐慌,也导致了他自身的焦虑。在这种反叛与压抑的矛盾境况之下,王尔德作品采用了模糊人物性别角色的叙事手段。这种处理一方面可以看作是作者审美、情感和欲望的投射;另一方面则在客观上起到了消解维多利亚时代性别规则和秩序的作用,是作者用以隔绝由性别角色所造成的焦虑和公众恐慌的策略。From the perspective of contemporary cultural criticism,it is obvious that the characters in Salome and The Importance of Being Earnest are described disorderly by Oscar Wilde.Wilde was plagued by gender role through his life.His own inappropriate gender role and his homosexuality not only caused panic among his contemporaries,but also led to his own anxiety.In this contradiction between rebellion and depression,Wilde blurred the gender roles of characters in his works.This method can be seen as the projection of his aesthetics,emotions and desires.On the other hand,it has objectively deconstructed the gender rules and order in the Victorian era.It is a strategy to isolate anxiety and public panic caused by problem of gender roles.
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