人工智能的后人类主体性赋值——从科幻电影《她》谈起  

On Post-human Subjectivity Assignment in Her

作　　者：丁婕 陆道夫[2] DING Jie;LU Dao-fu(School of Humanities,Shenzhen University,Shenzhen Guangdong 518061;School of Foreign Studies,Guangzhou University,Guangzhou Guangdong 510006)

机构地区：[1]深圳大学人文学院,广东深圳518061 [2]广州大学外国语学院,广东广州510006

出　　处：《广东技术师范大学学报》2020年第4期90-96,共7页Journal of Guangdong Polytechnic Normal University

摘　　要：随着人工智能技术的不断升级换代,国内外出现了较多的给后人类主体性赋值的科幻电影。2013年上演的科幻电影《她》为我们人类描绘出了这样一幅景象:未来社会后人类形态向"无器官身体"迈进,"隐喻"的存在形式和电影叙事手段被重新编码,嵌入到人类与机器技术的主体性主题当中。主体裂变出意识副本,各类人工智能机器人被赋值了人工虚拟生命,纷纷参与后人类主体性的建构,碾压了往昔理性的纯主体性观念。这类科幻电影试图以寓言的方式,描述并呈现了后人类主体性的消解过程与趋势,通过解释后人类的道德伦理困境和思维谜团,从而唤起观众对后人类主体性赋值的警觉与思考,进一步反思后人类主体性话语与现代性主体话语的语境生成差异和主体性自身的合法性危机。The science fiction movie Her,released in 2013,depicts such a story that in the far future:Post-human,moving towards infinity to the"body without organs",serves as a metaphoric form to re-encode the subjective relationship between human and technologies.When a kind of subject that splice out a copy of consciousness,artificial intelligence turns out to be an artificial life,which is going to participate in the construction of human subjectivity,and completely disintegrate the concept of pure subjectivity.Through the dissolution of post-human subjectivity,the movie Her presents us a kind of animaginative allegorical landscape,mapping out the ethical dilemma of post-human,trying to arouse the awakening and reflection on subject consciousness.From the perspective of post-humanism,this study seeks to outline the context of the generation of modern subject discourse,examines the development of post-human subjectivity and its own legitimacy crisis,and recognizes the post-human subjectivity assignment of artificial intelligence.

关 键 词：《她》 后人类 主体性赋值 “无器官身体” 科幻电影 

分 类 号：J905[艺术—电影电视艺术]