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作 者:张宁[1] ZHANG Ning(School of Humanities,Hunan City University,Yiyang,Hunan 413000,China)
出 处:《吉林师范大学学报(人文社会科学版)》2020年第5期64-70,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition
基 金:湖南省社会科学基金项目(18YBQ016)。
摘 要:抗日战争全面爆发后,“飞机”由交通工具变为战斗武器。旧体诗词应时而作,突破文体的束缚,细致地书写“飞机”这种新事物及其造成的灾难,比小说、戏剧等文体更具时效性,比新闻、报告等文体更有情怀,体现出一种忧患意识和乱世伤痛。由于敌我空军力量的悬殊,我方伤亡惨重,但中国飞行员舍生忘死,应敌于长空之上,他们成为抗战旧体诗词中的“飞将军”。这里的“飞将军”褪去了个人英雄主义的色彩,而成为英雄群像的代称,显示了中国人壮怀激烈、英勇无畏的精神品格。这类新鲜的题材拓展了旧体诗词的抒情空间,丰富了现代文学的战争书写,促成了传统精神与现代意识的融合。After the outbreak of the War of Resistance Against Japanese Aggression,the“airplane”changed from a means of transport to a combat weapon.The old-style poetry was written under this situation.It broke through the shackles of literary style and carefully wrote“airplane”as the new thing and the disaster it caused.It truthfully records all kinds of Japanese bombing,which is timelier than novels,dramas and other styles,more emotional than news,reports and other styles,reflecting a sense of suffering and pain in troubled times.Due to the great disparity in the strength of the enemy and our air force,our side suffered heavy casualties.But Chinese pilots,who were willing to die and fight against the enemy in the sky,became“flying generals”in the old poetry about the War of Resistance Against Japanese Aggression.The“flying general”here has lost the color of individual heroism and become the symbol of heroes,which shows the Chinese people’s strong and fierce spirit.This kind of new theme expands the lyric space of the old-style poetry,enriches the war writing of modern literature,and promotes the fusion of traditional spirit and modern consciousness.
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