符号学视域下的哈尼族形象研究  

On Hani Ethnic Minority Image from the Perspective of Semiotics

作　　者：黄小平[1] 宋杲睿 HUANG Xiao-ping;SONG Gao-rui(The institute of humanities of Honghe university,MengZi 661199,China;Youshui Primary School of Huichang County,Huichang 342600,China)

机构地区：[1]红河学院人文学院,云南蒙自661199 [2]江西会昌右水小学,江西会昌342600

出　　处：《红河学院学报》2020年第5期4-9,共6页Journal of Honghe University

基　　金：云南省哲学社会科学艺术科学规划项目:影视如何讲好中国故事:建构云南少数民族故事的多模态艺术研究(A2019YD05)。

摘　　要：符号学是研究表意和传播的学问。符号学为哈尼族形象研究带来了一个新的认知角度。哈尼族形象可以通过文本化、媒介化的形象符号生成机制来加以建构和解读,哈尼族形象符号的意义生成呈现:哈尼族命名的历史涵指、梯田形象的象征意义以及和谐形象的意识形态特征。哈尼族形象是哈尼族社会主体对哈尼族文化的思想、论说和体系的评价性元语言集合,是哈尼族社会主体像似符号与规约符号导向的传播效果的结晶。Semiotics is the study of ideographic and communication.Semiotics brings a new cognitive perspective to the study of Hani's image.The image of Hani Ethnic Minority can be constructed and interpreted through the formation mechanism of textual and media image symbols.The meaning generation of Hani image symbols presents as follows:the historical meaning of Hani naming,the symbolic meaning of terrace image and the ideological characteristics of harmonious image.Hani image is an evaluative metalanguage set of Hani social subject's thought,theory and system on Hani culture,and is the crystallization of communication effect guided by iconicity symbol and convention symbol of Hani social subject.

关 键 词：哈尼族形象 符号学 哈尼梯田 

分 类 号：C951[社会学—民族学]