检索规则说明:AND代表“并且”;OR代表“或者”;NOT代表“不包含”;(注意必须大写,运算符两边需空一格)
检 索 范 例 :范例一: (K=图书馆学 OR K=情报学) AND A=范并思 范例二:J=计算机应用与软件 AND (U=C++ OR U=Basic) NOT M=Visual
作 者:毛佳宁 MAO Jia-ning(School of Literature,Xizang Minzu University,Xianyang Shaanxi 712000,China)
出 处:《吕梁学院学报》2020年第5期6-9,共4页Journal of Lyuiang University
摘 要:元杂剧《秋胡戏妻》作为秋胡故事登上戏曲舞台的开山之作,不仅塑造了秋胡和梅英这样的主要人物,同时塑造的勾军人、罗大户和李大户、秋胡母这些配角。勾军人体现了元代社会的兵役制度,罗大户和李大户的出现一方面体现了元代的婚俗,另一方面也体现了元代的黑暗社会对于人性的异化;作为夫权代表的秋母刘氏的以死相逼,换来妻荣夫贵的大团圆结局,这是男权中心社会对女性压迫的又一生动写照。As the beginning of the story of Qiu Hu by the way of opera,Qiu Hu Dallies with His Wife not only shapes such main characters as Qiuhu and Meiying,but also successfully shapes the minor roles.Gou Junren is the expression of the military service system in Yuan dynasty;with regard to Li Dahu and Luo Dahu,their behavior reflects the marriage custom on one hand and the alienation of human nature owing to the dark society of Yuan dynasty on the other hand;the ending of reunion is paid for the death of the mother of Qiu Hu,which is a vivid representation of the oppression of women in a male-dominated society.
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在载入数据...
正在链接到云南高校图书馆文献保障联盟下载...
云南高校图书馆联盟文献共享服务平台 版权所有©
您的IP:3.133.141.175