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作 者:王利民[1] WANG Liming(School of Chinese Literature,Gannan Normal University,Ganzhou 341000,China)
出 处:《赣南师范大学学报》2020年第5期64-74,共11页Journal of Gannan Normal University
基 金:国家社科基金后期资助项目(07FZW003)。
摘 要:写诗是杨时的基本生存方式之一,其诗作数量既多,在诗坛的交游亦广,加上程氏洛学正宗传人的地位,他自然成为南方理学诗人群体的中心人物。杨时一生主要事业在理学,诗乃其余事。在诗歌理论上他承袭了程颐的文道观,标举《六经》之“明天道、正人伦”。从艺术上讲,杨时论诗文推重温柔敦厚的气象,否定诗歌的怨忿和讥刺,其律诗齐整有法,致心平易,没有兀傲奇崛的气骨,也缺乏活泼流动的韵致。因为追求诗歌新变的自立意识不强,杨时的律诗与通常认为是宋诗家法的拗折句法、生硬语汇基本无缘,其佳处仅在于对仗工稳、遣词熨贴而已。他的绝句和古诗较多地流宕出唐音的声情神味。Taking poem-composing as one of his fundamental ways to survive.For his large quantity of production and the great fame he enjoyed in his profession,as well as his status as the authentic successor of the Cheng-style Luo School,Yang Shi became the core representative of the Southern group of Neo-Confucian poets.Factually,Yang Shi mainly devoted himself to the study of Neo-Confucianism,with poem-composing as his pastime.In poetic theory,he followed the literary view of Cheng Yi and advocated the idea“(poetry should)reveal the natural laws and regulate human ethics”stated in The Six Confucian Classics.Artistically speaking,Yang Shi preferred a tender and gentle atmosphere to an indignant and satiric attitude,therefore his metrical verses share some singularity and living charm.Due to his vulnerable self-independent consciousness in pursuing poetic innovation,his verses were admired for the merits such as elegantly symmetrical in form and excellently appropriate in diction,but nothing of the poetic tradition of bending syntax and harsh vocabulary popular in the Song Dynasty.Moreover,his quatrains and classical poems are rich in cadence and appeal particular in Tang-style.
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