由冷漠向温情的转变——以余华小说《现实一种》与《活着》为例  

Change from Indifference to Warmth——Taking Yu Hua’s Novel“A Kind of Reality”and“Living”as an Examples

作　　者：赵晗 ZHAO Han(School of Literature,Mudanjiang Normal University,Mudanjiang,157011,China)

机构地区：[1]牡丹江师范学院文学院,黑龙江牡丹江157011

出　　处：《山西青年职业学院学报》2020年第3期95-97,共3页Journal of Shanxi Youth Vocational College

基　　金：2017年度黑龙江省优势特色学科建设项目“地方语言文学”(项目编号:DF-2017-10233);2017年度牡丹江师范学院教育教学改革工程项目“地方高校创意写作人才培养的研究与实践”(项目编号:17-XJW19023)的阶段性研究成果。

摘　　要：余华创作前期,其作品以充满血腥与残暴的描写,诱导人们进入一个充满暴力与杀戮的荒诞世界。他对笔下人物残忍的屠杀与暴力的渲染来自于对西方后现代主义的借鉴,这使得他的作品没有一点生活的希望与生命的亮色。进入20世纪90年代,先前对人性恶的指认显然已不适合当下的中国本土,余华因此颠覆了以往的创作,从理性的严肃立场转向感性的人道立场,从后现代主义转向传统现实主义,从创作立场、创作主旨、创作方式三个方面完成了从先锋派向现实回归的转变。In the early stage of Yu Hua’s literary creation,his works are full of bloody and brutal descriptions,luring people into an absurd world of violence and killing.The brutal slaughter and violence of the characters in his works come from the reference to western postmodernism,causing his works lack the hope and bright colors of life.In the 1990s,the previous identification of human nature is clearly inapplicable to the China's Mainland.As a result,Yu Hua overturns his previous literary creations,transforming the rational and serious standpoint to a perceptual humanitarian standpoint and changing from postmodernism to traditional realism.He completes the transition from pioneer to the return of realism from creative standpoint,creative theme and creative method.

关 键 词：余华 小说创作 后现代主义 现实主义 转型 

分 类 号：I247[文学—中国文学]