重返审美之途:再论“风骨”  

Returning to the Way of Aesthetics:Re-discussing“Fenggu”

作　　者：郭芳丽 GUO Fang-li(School of Literature,Changjiang Normal University,Chongqing 408100,China)

机构地区：[1]长江师范学院文学院,重庆408100

出　　处：《廊坊师范学院学报（社会科学版）》2020年第3期5-11,共7页Journal of Langfang Normal University(Social Sciences Edition)

摘　　要：“风骨”是刘勰《文心雕龙》中一个争议较大的范畴。回到《文心雕龙·风骨》原典可以发现,“风”是作品中对作家个人“志气”的表达以及在表达中呈现出的感染力,而“骨”是指简明准确、峻拔有力的言辞。“风骨”是作品中对作者个人“志气”的明晰简练且富有感染的表达以及由此而产生的一种生命力量之美。“风骨”的核心是一种生命力之美,它以“气—风—骨”的复杂方式呈现,同时又与“采”相得益彰。刘勰在《风骨》篇中体现出的对文章对象的整体审美把握和诗意表达,对今天的文论研究是具有启发意义的。“Fenggu”is a controversial category in Wenxin Diaolongby Liu Xie.Reviewing the original text of Wenxin Diaolong:Fenggu,we find that“Feng”is the expression of the writer’s personal“ambition”in the work and the appeal presented in the ex⁃pression,while“Gu”refers to concise,accurate,and powerful diction.“Fenggu”is a clear,concise and infectious expression of the author’s personal“ambition”in the work,and the beauty of life force resulting from it.The core of“Fenggu”is the beauty of vitali⁃ty,forming a complex presentation of“Qi-Feng-Gu”,which complements“Cai”.Liu Xie’s overall aesthetic grasp and poetic ex⁃pression of the object of the essay embodied in the“Fenggu”chapter is inspiring for today’s literary theory research.

关 键 词：刘勰 《风骨》 “风” “骨” “风骨” “气” 

分 类 号：I01[文学—文学理论]