德国浪漫主义文学理论  

作　　者：贺骥[1] 

机构地区：[1]中国社会科学院外文所

出　　处：《复旦外国语言文学论丛》2020年第1期73-79,共7页Fudan Forum on Foreign Languages and Literature

基　　金：中国社会科学院创新项目“‘一带一路’文学文化研究——欧洲区文学文化研究及现代性反思”(项目编号2017 F009)阶段性研究成果。

摘　　要：德国是欧洲浪漫主义文学运动的发源地,德国浪漫主义文学通过奥·威·施勒格尔和斯塔尔夫人对欧洲其他国家浪漫主义文学产生了广泛影响。本文阐明了德国浪漫主义文学理论的非体系性,并对德国浪漫派庞杂的文论思想进行了清理:从总汇诗、先验诗、浪漫反讽、机智到艺术宗教。在"浪漫反讽"和"机智"等小节中,本文采用词源学的研究方法,揭示了德国浪漫派和前人对同一概念的不同理解,彰显了德国浪漫派文论的独创性。Germany is the origin of European Romantic Movement, and German Romantic literature has a great influence on the literature of other European nations by introduction of August Wilhelm Schlegel and Madame de Sta?l. This paper expounds the nonsystematicness of literature theory of German Romanticism and puts its multifarious thoughts in order: from Universal Poetry, Transcendental Poetry, Romantic Irony, and Wittiness to Art Religion. In sections of Romantic Irony and Wittiness, by the etymologic method, this paper exposes different understanding of a same concept by German romanticists from their predecessors, and shows the originality of their literature theory.

关 键 词：德国浪漫主义文论 总汇诗 先验诗 艺术宗教 

分 类 号：I516.06[文学—其他各国文学]