建筑与公共艺术的跨界互动——以奥拉维尔·埃利亚松的创作为例  

The Crossover Interaction between Architecture and Public Art:Taking the Works of Olafur Eliasson as an Example

作　　者：周杰[1] 林琳[1] 许笑阳 Zhou Jie;Lin Lin;Xu Xiaoyang

机构地区：[1]合肥工业大学

出　　处：《建筑与文化》2020年第10期242-243,共2页Architecture & Culture

基　　金：合肥工业大学2019年省级大学生创新创业训练计划项目资助(项目编号:S201910359203)。

摘　　要：建筑与公共艺术的跨界互动是当前建筑学科的一大发展趋势,这种趋势表现在建筑师与艺术家越来越多的跨界实践中。文章将聚焦公共艺术家的创作手法特色与其视角下的建筑创作,以奥拉维尔·埃利亚松为例,研究艺术家如何使用其艺术思维与手法进行建筑创作,即从创作者的角度入手探讨公共艺术与建筑的跨界互动。The crossover interaction between architecture and public art is one of the main development trend of architecture,this trend is reflected in the increasing crossover practices of architects and artists.This paper will focus on the characteristics of the creative methods of public artists and their architectural creations from their perspectives,taking Olafur Eliasson as an example to study how artists use their artistic thinking and techniques for architectural creations.That is to discuss the cross-boundary interaction between public art and architecture from the perspective of the creator,and summarize the similarities and differences of their creation.

关 键 词：奥拉维尔·埃利亚松 建筑 公共艺术 跨界互动 

分 类 号：TU-86[艺术—艺术设计]