“两当号子”的音乐文化艺术形态探究——以“排号子”为例  

On the Musical Culture and Art Form of Liangdang Work Songs——Taking Arranged Songs as an Example

作　　者：王瑞[1] 李娟霞[1] WANG Rui;LI Juan-xia(Longnan Teachers College,Chengxian 742500,Gansu,China)

机构地区：[1]陇南师范高等专科学校,甘肃成县742500

出　　处：《兰州文理学院学报（社会科学版）》2020年第5期118-123,共6页Journal of Lanzhou University of Arts and Science(Social Science Edition)

基　　金：2018年甘肃省陇南市社会科学研究项目“陇南两当号子整理与研究”(18LNSK17)

摘　　要：“两当号子”是西秦岭民歌的一个重要分支,其腔调独具特色,既有“号子”规整、粗犷、嘹亮的鲜明特征,又具民歌的旋律优美、舒缓深情等形态,是当地民众在长期的生产劳动和生活中凝炼形成的劳动颂歌,具有重要的民间音乐文化研究价值。“两当号子”中传承普及和受众面最广的“排号子”唱词朴实、节律规整、唱腔独特,是有别于传统“号子”艺术特征的典型代表之一。Liangdang Work Songs with its variety and unique tone is an important branch of western Qinling folk songs.It has not only a distinctive feature of neatly rugged loud song but also some forms of folk songs with beautiful melody as well as soothing and affectionate forms,which is a labor carol formed during the local people's long-term production and life,and has the important value of the folk music culture research.The most widely inherited and popular arranged song has a plain,regular rhythm and unique singing style,which is one of the typical representatives of the artistic characteristics different from the traditional work songs.

关 键 词：两当号子 艺术形态 文化价值 

分 类 号：J616.2[艺术—音乐]