批判与反思——鲁迅小说“看客”形象的语图符号学研究  

Criticism and Reflection:A Study on the Semiotics of the Image of the Spectator in Lu Xun’s Novels

作　　者：陈建伟 李志艳[1] CHEN Jian-wei;LI Zhi-yan(School of Liberal Arts,Guangxi University,Naning 530004)

机构地区：[1]广西大学文学院,广西南宁530004

出　　处：《阴山学刊》2020年第5期27-32,共6页Yinshan Academic Journal

基　　金：内蒙古自治区高等学校学术期刊“名栏建设”项目NJMZ170

摘　　要：鲁迅的“看”是成像的基础,诠释“看客”与被看者压迫与被压迫关系的基点和批判与反思精神的切入口,从“看客”的环境、外貌和动作语象和图像镜照“看客”的性格特征和本质,洞见鲁迅的文化本我立场、永恒的“看”和怀疑一切的精神。Lu Xun’s“onlooking”is the basis of imaging,and is the basic point in interpreting the relationship between oppression and being oppressed of the onlooker and the watched,as well as the entry point of the spirit of criticism and reflection.The environment,appearance,motion and language of the“onlooker”could mirror the character and essence of the“onlookers”,and we can view Lu Xun’s cultural identity,eternal“onlooking”and the spirit of suspecting everything.

关 键 词：鲁迅 批判与反思 “看客” 图像 语象 

分 类 号：I206.6[文学—中国文学]