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作 者:张炜炜 ZHANG Wei-wei(School of Chinese Language and Literature,Qilu Normal University,Jinan 250200,China)
出 处:《海南师范大学学报(社会科学版)》2020年第5期1-8,共8页Journal of Hainan Normal University(Social Sciences)
摘 要:从布迪厄场域理论的角度来探讨老舍文学创作与“五四”新文化运动之间的因缘,在个人与时代双向建构的过程中,在历史变革与文化转型的“五四”新文化运动的宏观场域下,作为微观个体的老舍规避了个人的屈辱、民族的狭隘以及时代的罅隙,发挥了个体的优质秉性与自身潜能,在与时代的发展共振中成就了自己“写家”的身份。From the perspective of Bourdieu’s field theory and cultural sociology,this paper discusses the relationship between Lao She’s literary creation and the“May 4 th”New Culture Movement.As is noted in the paper,in the process of the dual construction of the individual and the era as well as in the macro context of the“May 4 th”New Culture Movement of historical change and cultural transformation,Lao She,as a micro individual,avoided the personal humiliation,the national parochialism and the gap of the era,gave full play to the individual’s high-quality temperament and self potentials,and achieved his“writer”identity in resonance with the development of the era.
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