论中国古典诗学中的“圆美”——以书法文化为例  

Yuanmei of Ancient Chinese Poetics:Taking Chinese Calligraphy Culture as an Example

作　　者：徐惠 XU Hui(Xingtan College, Qufu Normal University, Qufu, Shandong 273100, China)

机构地区：[1]曲阜师范大学杏坛学院,山东曲阜273100

出　　处：《宜宾学院学报》2020年第10期94-101,109,共9页Journal of Yibin University

摘　　要：“圆美”是中国古典美学的一个重要范畴,具有丰富的哲学内涵。书法美学视域中的“圆美”一直没有引起足够的重视,仅作为美学与诗学领域阐释“圆美”时的举例和补充,未能获取独立的品格。然而,“圆美”的理念贯穿了书法的艺术语言、意象世界和艺术意蕴等诸多层面,“圆美”也是历代书家孜孜以求的审美理想和历代书法审美风尚的关键要素。Yuanmei is an important category of Chinese classical poetics and has important philosophical connotations.Yuanmei of calligraphy aesthetics has not received much attention and it is only used as an example and supplement to the interpretation of Yuanmei in the field of aesthetics and poetics,but it has failed to obtain an independent character.However,Yuanmei runs through many aspects of calligraphy’s artistic language,imagery world and artistic connotation.Yuanmei is also the key element of the aesthetic ideal and fashion of calligraphy in the past dynasties that calligraphers diligently sought for.

关 键 词：书法 圆美 形式圆 流动圆 意境圆 

分 类 号：J292.1[艺术—美术]