凝视理论下的《 查布克夫人的画像 》  

On The Portrait of Mrs.Chanbuque from the Perspective of Gaze Theory

作　　者：詹舒丹 ZHAN Shudan(School of Chinese Language and Literature,Central China Normal University,Wuhan 430079,Hubei,China)

机构地区：[1]华中师范大学文学院,湖北武汉430079

出　　处：《安康学院学报》2020年第5期60-63,共4页Journal of Ankang University

摘　　要：《查布克夫人的画像》围绕画家皮安波对神秘的查布克夫人的肖像绘制展开叙事。本文尝试运用凝视理论解读文本世界中男权社会对女性的凝视和规训,以及由此引起的查布克夫人的反凝视和血腥反抗。本文认为,查布克夫人的虚构世界与真实世界混淆并重叠,而对查布克的邪恶化重塑则体现出她在意识层面对男权社会规训的屈服和认同。The Portrait of Mrs.Chanbuque revolves around the painter Piampo’s portrait of the mysterious Mrs.Chanbuque.This paper attempts to use the gaze theory to interpret the patriarchal society’s gaze and discipline towards women in the text,and the resulting anti-gaze and bloody resistance of Mrs.Chanbuque.This paper argues that Mrs.Chanbuque’s fictional world is confused and overlapping with the real world,especially her evil reshaping of Mr.Chanbuque,which reflects her surrender and recognition with the patriarchal social discipline at the level of consciousness.

关 键 词：查布克夫人 男权社会 凝视 反凝视 双重自我 

分 类 号：I106.4[文学—世界文学]