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作 者:管新福[1] GUAN Xinfu
机构地区:[1]贵州师范大学文学院、文学·教育与文化传播研究中心,贵阳550001
出 处:《广东外语外贸大学学报》2020年第5期38-48,60,157,158,共14页Journal of Guangdong University of Foreign Studies
基 金:国家社会科学基金一般项目“近现代报刊翻译理论资料整理与研究”(18BZW112)。
摘 要:中国汉语"外国文学史"的撰写始于民初。不管在外国文学综合史、区域史,还是在法国国别文学史中,斯丹达尔及《红与黑》基本能进入文学史家的视野。民国时所出的外国文学史,由于对外国作家作品的认识还欠全面,且大多是独著形式,因此内容比较粗线条,将于连形象的解读置于启蒙、现实话语的整体框架中展开,但于连野心家形象的表述已很普遍。新中国成立后到八十年代,由于受革命、阶级话语和苏联文学史范型的影响,这一时段的外国文学史充斥着单一的阐述模式,于连成为小资产阶级野心家的典型,是恶的化身。九十年代以来,因当代西方文学理论的大量引进,文学解读日益多元,文学史从阶级、革命话语和人性善恶二元对立的模式中抽离出来,于连被视为一个丰满多元、性格特征复杂的奋斗者形象。可以说,于连形象的嬗变沉浮,体现了百年来文学观念、阐释方式、文学史家知识史的进展。The writing of"history of foreign literature"in Chinese began in the early Republic of China.No matter in the entire history of foreign literature,regional history or in the history of French national literature,Stendhal and Red and Black can basically enter the vision of literary historians.The history of foreign literature in the Republic of China,due to the lack of comprehensive knowledge of the works of foreign writers,and most of them are in unique forms,so the content was understood roughly,and the interpretation of even the image was placed in the overall framework of enlightenment and realistic discourse.The expression of the image of Julien’s ambitions was very common;from 1950 s to 1980 s,due to the influence of revolution,class discourse and the paradigm of Soviet literary history,this period of foreign literary history was filled with a single exposition model,and Julien became the typical of the petty bourgeois ambitionist who is the incarnation of evil;since the 1990 s,thanks to the massive introduction of contemporary Western literary theories,literary interpretation has become increasingly diversified,and therefore Julien is regarded as a full-fledged and diverse character with complex personality characteristics.It can be said that the evolution of Julien’s image reflects the progress of literary concepts,interpretation methods,and the history of literary historians’knowledge over the past one hundred years.
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