诗歌词汇视角下的齐梁诗风新变——以何逊诗歌叠音词为例  

Changes of the Poetic Style in Qi and Liang Dynasties from the Perspective of Poetry Vocabulary——Taking the Reduplicated Words in He Xun′s Poetry as an Example

作　　者：隋雪纯 SUI Xuechun(Department of Chinese Language and Literature, Peking University, Beijing 100871, China)

机构地区：[1]北京大学中文系,北京100871

出　　处：《江苏科技大学学报（社会科学版）》2020年第3期37-44,共8页Journal of Jiangsu University of Science and Technology(Social Science Edition)

摘　　要：何逊诗歌叠音词使用频度高、数量多。叠音词使何逊诗歌具有节奏感、流畅性和抒情性的音乐特质,展现出何逊对先秦诗歌、齐梁范式以及民间文学的继承与创变。虽然叠音词在诗歌声律和韵律切分方面不符永明新体及近体化转型的趋势,但有助于诗歌由晋宋滞重之体向齐梁流易风格转变,恢复诗歌抒情本质,体现了何逊拟古以开新的诗学观念,以及将诗歌规范的雕琢精巧与吟咏情性的自然流露相结合的艺术追求。He Xun′s poems contain reduplicated words in large numbers and high frequency.Reduplicated words make He Xun′s poetry characterized with rhythm,fluency and lyricism,showing He Xun's inheritance and innovation of poetry in pre-Qin Dynasties,paradigms of Qi and Liang Dynasties and folk literature.Reduplicated words are inconsistent with Yongming′s new style and transformation in terms of poetic rhythm regulation and rhythm segmentation,but they are helpful for the poetry to change from the dignified body of the Jin and Song Dynasties to the graceful style of Qi and Liang Dynasties and restore the lyrical essence,reflecting He Xun′s poetic concepts of imitating the ancients to open up new poetics,as well as his artistic pursuit of combining the exquisite carving of poetic norms with the natural expression of emotions.

关 键 词：叠音词 何逊 诗歌声律 永明体 齐梁诗歌 

分 类 号：H109.2[语言文字—汉语]