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作 者:无 Seyed Hossein Hejrati Mahshid Ghorbani Soroush Majidi(摄影) Tahmineh Monzavi(摄影) Aidin Gilandoost(摄影) Fati Rezaei(摄影) 天妮(译)
机构地区:[1]ZAV建筑师事务所 [2]不详
出 处:《世界建筑》2020年第10期76-81,137,共7页World Architecture
摘 要:“不适宜”即“未完成”为了应对财政层面对项目的限制,我们采用了一种简朴、坦率的构造。精简掉了所有“不适宜”的多余修饰和装饰层。“受压制”即“无拘束”对于女孤,在像汉瑟尔这样由男性主导的宗教城市中,很难行使自主选择生活方式的权利。基于对现状的判断,庇护所采用了内向型的建构来回应对少女安保问题的关注。我们利用阳台外侧手动操作的帷幔,将项目的立面转变为一个可以根据女孩的需求及意愿关闭、或面向城市开启的媒介。女孩在学习如何操作这座建筑的同时,也在生活中行使着自己有限的权利。The"Undue"Is"Undone"In response to the financial limitations of the project,an austere,and honest tectonic is adopted.All superfluous layers of finishing and ornamentation are considered as"undue",and hence,are eliminated.The"Oppressed"Is"Liberated"It is hard to exercise one's right in choosing one's lifestyle as an orphaned girl in a male dominated religious city such as Khansar.In a critique of the status quo,although the architecture of the shelter adopts an introverted typology in response to concerns of security and security of the girls,the facade of the project transforms to a medium that allows the building to close down or open up to the city as the girls need or desire,capitalising on the hand-operated exterior curtains of the balconies.As the girls learn how to operate the building,they exercise their limited right over their practice of life.
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