艺术作为“文化造城”的手段:当代中国语境中的上海私人美术馆浪潮  

Art as a Device of Enculturated Urbanization:On the Shanghai “Urban Museumification” in Contemporary China

作　　者：罗先梅 Luo Xianmei

机构地区：[1]深圳市南山区社区治理与服务创新促进会

出　　处：《文化研究》2020年第1期155-177,共23页Cultural Studies

摘　　要：近年来,中国私人美术馆的数量急剧增长,与国家文化政策改革和艺术市场的过度膨胀有着密切联系。上海的几个大型私人美术馆在西岸、浦东的建立和各地对美术馆落户地的争夺,反映了私人美术馆在城市化发展中的作用。从“文化造城”过程中政府职能的转变和有关部门对当代艺术的审查中,可观察到私人美术馆浪潮既是市场经济与政治相互借力的结果,又参与了这两者的博弈。The number of private art museums in China has increased dramatically in recent years,which is closely related to China's cultural policy reform and the excesses of the art market.While different strategies have been played out between the Shanghai government and some private art museums,there are increased competitions between West Bund and Pudong District in the same city,and also among various cities and areas in China.By reviewing the policy reform,comparing the differences and analyzing the reasons behind those competitions,this article combines the perspectives of art history and urban economics to study the role in which private art museums have played.The transformation of governmental functions in the process of enculturated urbanization and the governance power over contemporary art indicate not only the cooperation but also a power balance between the market and politics that reflected by“Urban Museumification”.

关 键 词：文化造城 私人美术馆 艺术金融 西岸艺术品保税仓库 

分 类 号：J124[艺术—艺术理论]