莱蒙托夫《当代英雄》艺术形式的文化符号学解读  

A Cultural Semiotic Interpretation of the Artistic Form of A Hero of Our Time

作　　者：管月娥[1] Guan Yue-e

机构地区：[1]南京师范大学外国语学院

出　　处：《俄罗斯文艺》2020年第4期121-128,共8页Russian Literature & Arts

基　　金：国家社科基金一般项目“乌斯宾斯基结构诗学理论与批评方法研究”(项目批准号15BWW034)、国家社科基金重大项目“东正教与俄罗斯文学研究”(15ZDB092)的阶段性成果;江苏高校优势学科建设工程第三期资助项目(编号:20180101)。

摘　　要：文学创作形式本身就是内容,这是文学批评界长期关注的重要话题。19世纪俄罗斯经典作家莱蒙托夫的长篇小说《当代英雄》,以其独特的艺术审美构造承载着作者对生命意义的求索。在主人公毕巧林形象塑造过程中,作者采用多视点的叙述,构建其多维的"三位一体"动态形象;通过由外向内的视点结构转换,形象地再现毕巧林对自身心灵的审视与拷问,实现着其对灵魂的救赎;而对主人公直觉意识的探究,则使得小说的整体结构呈现出开放态势,文本形式意义因而得以释放。本文以俄罗斯文化符号学家乌斯宾斯基的视点理论为研究方法,揭示《当代英雄》艺术形式与俄罗斯民族文化精神之间的融合,以期为小说创作形式的意义分析,探索值得借鉴的途径。The idea that the form of literary creation is in itself also the content has always remained an important topic of concern in literary criticism. A Hero of Our Time is one of the classical works of the 19th-century Russian writer Lermontov, who embodies in the unique artistic aesthetic structure of the novel his exploration of the meaning of life. The Trinitarian characterization of Pechorin, the protagonist, as a man who finally achieves redemption is successfully realized in the form of Pechorin’s constant self-examination and interrogation of his own soul. While further exploring the protagonist’s sense of intuition, the author adopts an open structure that makes possible the expression of the textual meaning of the novel. Employing the theory of viewpoint proposed by Russian cultural semiotician Uspensky, the present paper attempts to reveal, from narrative perspective, language and space-time structure, the fusion between the form of A Hero of Our Time and the Russians’ Orthodoxical thoughts, and to seek an approach that may serve as a reference for the meaning analysis of the form of novel creation.

关 键 词：《当代英雄》 乌斯宾斯基 视点理论 三位一体 弥赛亚 

分 类 号：I512.074[文学—其他各国文学]