论石挥表演理论中的离心向心及其当代意义  

On the Shi Hui’s Centrifugal and Centripetal Theory in Performance and its Contemporary Significance

作　　者：熊一诺 XIONG Yinuo

机构地区：[1]河北大学,保定071000

出　　处：《上海视觉》2020年第1期33-36,共4页Shanghai Vision

摘　　要：才华横溢的石挥,作为20世纪中国最优秀的话剧、电影艺术家之一,塑造了许多成功的舞台形象。痴迷于表演的他,呕心沥血从自己的演艺经验中提炼创作出了属于其自身的独特表演理论,其中就包括表演的离心与向心理论。为纪念石挥诞辰100周年,《石挥谈艺录》重新整理出版,一方面让石挥和他的作品重新进入我们视野获得重生,另一方面肯定了他的表演理论具有当代意义。本文以石挥笔下的离心力表演和向心力表演为切入点,旨在探究石挥的表演艺术观及其在舞台中的实践,从而阐释其表演理论的当代意义。The talented Shi Hui,as one of the most outstanding drama and film artists in China in the 20th century,has succeeded in creating many stage images.Due to his obsession with performance,he has advanced and formulated his own unique performance theories upon the strength of his own practicing of performance art,including the centrifugal and centripetal theory.To commemorate the 100th anniversary of Shi Hui's birth,"Shi Hui Talking about Art"is reorganized and published.On one hand,Shi Hui and his works come into our sight once more,and on the other hand,contemporary significance of his theories is thus re-acknowledged and embraced.This article takes the centrifugal force and the centripetal force in performance described by Shi Hui as the starting point,and aims to explore Shi Hui's view of performing art and its practice on the stage,thereby explaining the contemporary significance of his performance notion.

关 键 词：石挥 艺术表演理论 向心 离心 当代意义 

分 类 号：G63[文化科学—教育学]