论王保忠《甘家洼风景》的叙事策略  

On the Narrative Strategies of Wang Baozhong’s Ganjiawa’s Scenery

作　　者：彭栓红[1] PENG Shuanhong(School of Chinese Language and Literature,Shanxi Datong University,Datong 037009,China)

机构地区：[1]山西大同大学文学院,山西大同037009

出　　处：《中北大学学报（社会科学版）》2020年第6期38-43,共6页Journal of North University of China：Social Science Edition

基　　金：2019年度山西省哲学社会科学研究规划项目:推动山西文学发挥培根铸魂作用实践研究(20198321)。

摘　　要：王保忠的小说《甘家洼风景》采用了三种叙事策略,即人与非人视角的切换叙事,拉开时空距离的交叉叙事和互补叙事的迷宫效应,共同为我们勾勒出一副谜一样的叙事风景。这一叙事探索,也体现出作家的探索性,叙事的背后始终有作家对当代城镇化过程中农村、农村人现实与未来的深层思考。In addition to the traditional foreshadowing narration techniques,Wang Baozhong uses three narrative strategies in his novel Ganjiawa’s Scenery,including switching narratives between human and non-human perspectives,making cross-narratives by keeping distance between time and space,and complementary narratives,to demonstrate a mysterious narrative landscape.The narrative strategies of Wang Baozhong reflect his deep thinking about the realities and future of rural areas and the people in rural areas in the process of urbanization.

关 键 词：王保忠 《甘家洼风景》 叙事 农村 记忆 民俗 

分 类 号：I207.42[文学—中国文学]