绍兴平湖调与四明南词唱腔关系之探  

Investigation into the Relationship Between the Vocal Melodies Shaoxing Pinghu Diao(绍兴平湖调)and Siming Nanci(四明南词)

作　　者：杨晨[1] Yang Chen

机构地区：[1]湖州师范学院,湖州313000

出　　处：《音乐文化研究》2020年第3期38-49,共12页Music Culture Studies

摘　　要：绍兴平湖调与四明南词的唱腔曲调均具有以下“一致性”表现:一、相同的“凤点头”三句体结煞段式;二、相同的字位安排与惯用的切分节奏;三、衬词起统一结构落音的作用;四、上、下腔句的落音之间构成了相对固定的音程关系;五、相同的典型乐汇;六、相同的结束式。由此可判断,绍兴平湖调与四明南词的唱腔具有同源关系。The vocal melodies Shaoxing Pinghu and Siming Nanci have the following consistency of features:1.They both have the same three-phrase structure known as feng dian tou(凤点头);2.They have the same arrangement of words and customary syncopated rhythm;3.The interjection word plays the same role of unifying the last notes in each section;4.The last notes in the upper and lower phrase have a relatively fixed interval relationship;5.They share the same typical motif;6.They have the same cadence.This therefore shows that the vocal melody Shaoxing Pinghu Diao has kinship with that of Siming Nanci.

关 键 词：绍兴平湖调 四明南词 唱腔音乐 同源关系 

分 类 号：J607[艺术—音乐]