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作 者:金永兵 王佳明 JIN Yong-bing;WANG Jia-ming
机构地区:[1]西藏大学党委,拉萨850000 [2]北京大学中文系,北京100871
出 处:《吉林大学社会科学学报》2020年第6期131-142,234,共13页Jilin University Journal Social Sciences Edition
基 金:国家社会科学基金重大项目(18ZDA275)。
摘 要:中国马克思主义文论的发展中包含着三个特征:其一是在文化生产论的理论逻辑上,依赖于对社会总体生产中"他者"形象的批判;其二是新时期以来,在吸收理论资源改变话语面貌的同时,依然采用旧有的对立逻辑,现实和理论之间辩证的联系被转化为了理论与理论之间的学术对立;其三是全球化趋势下,中国马克思主义文论与批评在回应市场经济文化冲击的时候,陷入一定程度上的"失语"的状态。这些问题的解决要求我们:建构一种自我批判的文艺生产论;改变用一种话语来取代另一种话语的绝对对立模式,建构起理论结构的辩证逻辑,将革命文论话语等各种话语的力量合理地转化为辩证的现实力量;改变文艺的抽象形态,恢复其对可能生活进行建构的能力来统摄市场经济文化要素,为中国马克思主义文论开辟全球化视野下的新进路。There are three dialectic features in the development of Chinese Marxist literary theory.First,in the theoretical logic of the theory of cultural production,it relies on the criticism to the presence of"the other"in the social production.Second,since the New Era,while absorbing theoretical resources to change the discourse,the old antagonistic logic is still adopted.Therefore,the dialectical relationship between reality and theory has been transformed into the antagonistic relationship among theories in the academic discourse.Third,Chinese Marxist literary theory and criticism fall into a state of"aphasia"to a certain extent when responding to the impact of market economy and the culture within the growing trend of globalization.To solve these problems,it requires us to construct a self-critical theory of cultural production.It also requires us to change the logic in the theoretical structure,that is,to change the absolutely opposite mode of using one discourse to replace another into a new logic which is both dialectic and trying to transform the power of various discourses,such as revolutionary theories,into the dialectic power of reality rationally.Moreover,it requires us to change the abstract form of culture,to restore its capacity to construct possible life for the integration of market economy and cultural elements,and to blaze a new path for Chinese Marxist literary theory from the perspective of globalization.
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