艾米莉·狄金森诗歌的修辞悖论  

Analysis on Emily Dickinson’s Paradoxical Rhetoric

作　　者：赵明慧 刘惠媛[2] ZHAO Ming-hui;LIU Hui-yuan(Dalian University of Finance and Economics,Dalian,Liaoning,China,116600;Dalian University,Dalian,Liaoning,China,116622)

机构地区：[1]大连财经学院,辽宁大连116600 [2]大连大学英语学院,辽宁大连116622

出　　处：《广东开放大学学报》2020年第5期74-80,共7页JOURNAL OF GUANGDONG OPEN UNIVERSITY

摘　　要：狄金森生活在浓厚的宗教氛围中,却向“上帝”发起挑战,最终又成了宗教的疯癫者。其思想的悖论性不容忽视,表现在修辞方面主要为宗教词语能指意义与其所指意义的对立、神圣意象与世俗意象的平行与相交及传统宗教形象的颠覆性塑造。其中蕴含了多重悖论,主要包括与当时盛行的“上帝中心”论相矛盾的“人神平等”观念、既神圣又世俗的理性宗教观和在颠覆宗教教义的逃离中向心宗教三个方面。Born and raised in a strong religious atmosphere,Dickinson challenged“God”since her youth,and ended up being addicted to religion.Her paradoxical thoughts contain the followings,the opposite of signifier and signified of religious words,the juxtaposition and intersection of holy and secular images,and the subversive creation of traditional religious figures.Dickinson’s paradox come in three aspects,“equality between man and God”against“God-centered”,rational religious view of holiness and secularity,and endo-religion in the process of exo-religion.

关 键 词：宗教文化 狄金森 修辞悖论 

分 类 号：I106.2[文学—世界文学]