玩物怡性:宋瓷艺术的接受方式析疑  

Pleasant Nature of Playthings:Analysis of Acceptance Ways of Song Porcelain Art

作　　者：李金来 LI Jin-lai(School of Culture and Media,Guiyang University,Guiyang 550005,Guzhou,China)

机构地区：[1]贵阳学院文化传媒学院,贵州贵阳550005

出　　处：《贵阳学院学报（社会科学版）》2020年第5期71-74,78,共5页Journal of Guiyang University:Social Sciences

基　　金：2018年国家社科基金艺术学西部项目“宋元时期中泰瓷器艺术比较研究”(项目编号:18EG218)。

摘　　要：玩物怡性是宋代瓷器艺术的接受方式,具有审美日常生活化与日常生活审美化双向互渗的生活美学特征。宋代的崇文国策和中隐哲学助推器物艺术成为人们日常生活情境之中不可或缺的艺术刚需和审美标配。宋代商业经济的繁荣昌盛促进城市业态发展和平民社会的渐次成型,提供兼容并包和丰富多元的生活场域和艺术审美需要。宋代瓷器凭借其卓越不凡的艺术魅力深受时人的钟情喜爱。The pleasure of playthings was the way of porcelain art acceptance in Song Dynasty,which has life aesthetic characteristics with the mutual infiltration between aestheticization of everyday life and lifelizaiton of aesthetics.The Song Dynasty′s national policy of worshiping literature and its staying-in-the-middle-and-reclusive philosophy trends pushed the art of objects to become an indispensable artistic necessity and aesthetic standard in people′s daily life.The prosperity of commercial economy in the Song Dynasty promoted the development of urban industries and the gradual formation of civilian society,providing an inclusive,rich,and diversified life scenarios and artistic aesthetic needs.Song Dynasty porcelain was deeply loved by people at that time for its outstanding artistic charm.

关 键 词：玩物怡性 宋瓷艺术 情感本体 中隐哲学 

分 类 号：J527[艺术—艺术设计]