闽南文化的海洋叙事——以闽南语民间歌谣为视点  

The Marine Narrative of Minnan Culture:From the Perspective of Minnan Folk Songs

作　　者：洪映红[1] HONG Ying-hong(College of Chinese Language and Literature,Jimei University,Xiamen 361021,China)

机构地区：[1]集美大学文学院,福建厦门361021

出　　处：《集美大学学报（哲学社会科学版）》2020年第4期124-129,共6页Journal of Jimei University：Philosophy and Social Sciences

基　　金：福建省社会科学规划项目(FJ2018B120)。

摘　　要：闽南语民间歌谣中“讨海歌”“疍歌”“过番歌”这三个具有鲜明海洋叙事特征的歌谣类型,呈现了闽南地域文化中的海洋面貌,揭示了其中蕴含的海洋文化内涵,即悠远的海洋传统和勇于打拼的海洋精神。历史上的闽南是中国海事活动最活跃的区域,宋元时期泉州是中国海洋文化的璀璨明珠,明清时期闽南海洋贸易实际上控制了中国的海上经济,闽商集团闻名海内外,并在近代形成重要影响力。研究当代中国海洋文化发展史,应该给予闽南海洋文化更充分的关注与评价。Among theMinnan folk songs,the three types of ballads,“fishing song”,“waterside song”,and“song of expatriates”,which are of distinctive marine narrative characteristics,present the marine features of Minnan regional culture and reveal the marine cultural connotation contained therein,namely the long-standing maritime tradition and the spirit to strive.Historically,Minnan was the most active area of China's maritime activities.Quanzhou in the Song and Yuan Dynasties was the shining pearl of China's maritime culture.During the Ming and Qing Dynasties,Minnan's maritime trade actually monopolized China's maritime economy.The Min Chamber of Commercewas wellknown both at home and abroad,and exerted an important influence in modern times.To study the development of the Chinese marine culture,more attention and evaluation should be attached to Minnan marine culture.

关 键 词：讨海歌 疍歌 过番歌 海洋叙事 闽南文化 

分 类 号：I276.2[文学—中国文学]