文论当随时代——论徐中玉先生的文艺观  

Literary Theory Should Adapt Itself to the Times: On Prof. Xu Zhongyu’s View of Literature and Art

作　　者：刘锋杰[1] Liu Fengjie(School of Arts,Suzhou University,215000)

机构地区：[1]苏州大学文学院,215000

出　　处：《文艺理论研究》2020年第5期12-22,共11页Theoretical Studies in Literature and Art

基　　金：国家社科基金项目“新中国文论教材中‘文学定义’研究”[项目编号:17BZW054]的阶段性成果。

摘　　要：徐中玉先生尊重并探寻文学创作的艺术规律,为审美反映论的出现作出过重要贡献;率先在中国文论教材中提出"文学是人学"的命题,论证了文学与人性、人道主义的深刻关联性;强调中国文学的伟大性,期望"天地之至文"的出现。徐中玉为中国现当代文论建设注入了他的心力与观念。The paper maintains that the emergence of aesthetic reflection theory in China was largely the contribution of Prof. Xu Zhongyu as the result of his respect to and explorations into the artistic law of literary creation. Prof. Xu first incorporated the notion that "literature is the study of man" into the literary theory coursebooks in China and demonstrated the profound interconnection between literature, humanity and humanitarianism. He also stressed the unique greatness of Chinese literature and anticipated the advent of "the paragon of the writing in the world". Prof. Xu devoted himself to the establishment of modern and contemporary Chinese literary theory.

关 键 词：徐中玉 艺术规律 文学是人学 人道主义 天地之至文 

分 类 号：I0[文学—文学理论]