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作 者:徐亮[1] Xu Liang(Department of Chinese Literature,Zhejiang University,310058)
机构地区:[1]浙江大学中文系,310058
出 处:《文艺理论研究》2020年第5期35-43,共9页Theoretical Studies in Literature and Art
摘 要:德里达的临终采访引起了关于理论与死亡的关系的重要话题。他的临终与他对死亡的谈论构成了这个采访事件的张力。通过幸存论,他规划了理论家超越生命的不朽之路,但也坦率地表现了面对实在的死亡时的无奈。他提出了问题,但并没有解决好问题,毋宁说他把问题留给了后人,因为他没有在这两者之间找到令人信服(用他的话叫"真诚")的平衡或一致性。Derrida’s deathbed interview raises important questions about the relationship between theory and death. His dying and his words about death form the tension of this interview event. Through survival theory, he charts the theorist’s path to immortality beyond life, but he also frankly shows the helplessness in the face of real death. He raises questions but does not answer them;rather, he leaves them to posterity because he could not find a convincing(or in his words, "sincere") balance or consistency between the theory and death.
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