作为艺术史核心概念的“风格”的概念史——艺术史知识建构的方法论探索  

A Methodological Exploration into the Conceptual History of Style as A Key Concept in Art History

作　　者：张婷[1,2] Zhang Ting(School of Foreign Studies in North China Electric Power University,210093)

机构地区：[1]华北电力大学外国语学院 [2]南京大学艺术学院,江苏南京210093

出　　处：《文艺理论研究》2020年第5期208-218,共11页Theoretical Studies in Literature and Art

摘　　要：风格一词是现代艺术史中的核心概念,但其丰富的意指和内在的矛盾性使其含义模糊、复杂难辨。本文详细考证了风格概念在艺术批评中的产生、发展及演变,揭示了风格概念从"手法"向"风格"转变的深层意义,以及风格史发展中风格概念图式的不断转变。本文的分析表明,正是风格意涵的丰富和嬗变,使得风格史成为传统西方艺术史建构的主导范式,而当代风格史所面临的困境也引发我们对艺术史建构进行重新思考。"Style"is a key concept in modern art history. Its rich implications and inherent contradictions, however, make its connotation ambiguous. By way of examining the birth, development and evolvement of this concept in art criticism, this paper tries to expose the meaning of style which shifts from "maniera" to"stile," and describe its constant transformation in the evolving history of style. The analysis in the paper shows that it is the rich connotation and evolution of style that makes the history of style a dominant paradigm in the construction of traditional western art history, while the dilemma that the history of style is facing today may provide a point of departure in our rethinking of the construction of art history.

关 键 词：风格 手法 形式 概念史 

分 类 号：J110.9[艺术—艺术理论]