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作 者:廖乃徵[1] Liao Naizheng
出 处:《家具与室内装饰》2020年第9期80-81,共2页Furniture & Interior Design
基 金:教育部职业院校艺术设计类专业教学指导委员会产品设计专门委员会2019年度教育教学改革项目。
摘 要:目的,探究面向"场景时代"的陶瓷产品创新设计路径及策略。方法,立足于科技进步对人们生活的影响,从而对陶瓷产品提出新需求,并对陶瓷产品的发展现状进行分析,指出产品定位不精准、无法满足用户体验需求、无法满足新场景新需求,提出充分利用大数据精准把握用户需求、通过材料的综合运用、与现代技术相融合、强调情感化设计以适应"场景时代"新需求、利用场景深化用户体验,进一步优化和迭代新产品。结论,陶瓷产品创新设计应主动拥抱"场景时代",利用技术赋能产品创新设计,以满足市场的多样性和个性化需求,从而带给用户更加智能与人文的生活体验。The purpose of this paper is to explore the path and strategy of ceramic products innovative designs that face the "scene era". Based on the fact that scientific and technological progress has dealt impacts on people’s lives, this paper puts forward new demands for ceramic products and analyzes the development status of them. It points out that the products are inaccurate in positioning, unable to meet the needs of the user, and unable to meet the needs of new scenes. Thus, it proposed to make full use of big data to accurately grasp user needs, integrate materials with modern technologies, emphasize emotional design to adapt to new demands of the "scene era", deepen user experience with scenes, and further optimize and iterate new products. The innovative design of ceramic products should embrace the "scene era" actively and use technology to enable the innovative design of ceramic products to meet the diversified and personalized needs of the market, so as to bring users more intelligent and humanistic life experience.
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