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作 者:俞明海[1] Yu Minghai
出 处:《家具与室内装饰》2020年第9期101-103,共3页Furniture & Interior Design
基 金:2019年广州工程技术职业学院质量工程项目(YSX202001)。
摘 要:浙东地区的宁式家具制作精美,集木工之巧的吉子、花板木雕;漆工之美的朱漆、泥金工艺更是其中的翘楚。本文借用"图像环路"的概念来研究宁式家具构件雕刻中的图像,重点讨论吉子、花板等家具构件的雕琢范式,宁式家具中的装饰构件改造并挪用了绘画及其他艺术作品,或汲取并消化了其他艺术图绘的造型范式,是"图像环路"中的重要节点。受浙东儒家学派影响的宁式家具也是由文人与艺匠共同打造完成的文化遗产,更深层次上其图形图像也试图潜移默化创作者与消费者等不同社会群体的价值取向。The Ning-style furniture is an exquisite production in eastern Zhejiang. While Jizi(a kind of Chinese wooden token) and flower woodcarving are a demonstration of excellent carpentry, the red lacquer and nugget technology remain the best. In this paper, by focusing on the carving paradigm of Jizi, flower woodcarving, and other furniture components, the concept of "iconic circuits" is used to study the image of Ning style furniture. It also discusses the transformation of Ning-style decoration components and appropriates paintings and other works of art to absorb the modeling paradigm of other arts, which are important connecting points in the "Iconic Circuits". Influenced by the Confucian school in eastern Zhejiang, Ning style furniture is also a cultural heritage created by literati and craftsman. At a deeper level, its graphics and images also try to influence the value orientation of different social groups such as artists and consumers.
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