北朝石窟造像研究  

A study of the grotto statues of the Northern Dynasties

作　　者：刘春霞[1] Liu Chunxia(Hunan University of Science and Technology,Xiangtan,411201)

机构地区：[1]湖南科技大学艺术学院,湘潭411201

出　　处：《陶瓷研究》2020年第5期48-50,共3页Ceramic Studies

基　　金：2019年普通高校教学改革研究项目(项目号916 G21929)。

摘　　要：在中华民族的文化长河中,佛教艺术留下了辉煌的业绩,在中国艺术史上占了很大的比重,作为佛教艺术代表的石窟造像,其艺术成就在北朝达到了第一个高峰,北朝时期佛教的盛行是推动石窟造像迅速发展的主要原因。北朝的造像艺术在文化上,吸收各种外来宗教和文明的精华,加入了自己的人文、世俗化等元素,多种艺术形式和思想在这一时期开始融会贯通;技艺上沿续了秦汉时期造像技术的优良传统,扬弃了印度犍陀罗艺术和波斯艺术等造像方式,形成了具有鲜明民族特色的风格。in the long history of Chinese culture,Buddhist art has left a brilliant achievement,which accounts for a large proportion in the history of Chinese art.As a representative of Buddhist art,the artistic achievements of grottoes reached the first peak in the Northern Dynasties.The prevalence of Buddhism in the Northern Dynasties was the main reason for the rapid development of grotto statues.In culture,the statue art of the North Dynasty absorbed the essence of various foreign religions and civilizations,added its own elements of humanism and secularization It has continued the fine tradition of the Qin and Han Dynasty,abandoned the Greco-Buddhist art and Persian Art,and formed a distinctive national style.

关 键 词：北朝 佛教造型 风格原因 

分 类 号：J527[艺术—艺术设计]