"整体观"与20世纪中国艺术批评史暨电影批评史分期研究  

A Integral View and the 20th-Century Art Criticism History and Film Criticism History in Three Stages

作　　者：陈旭光[1] CHEN Xuguang(School of Art,Peking University,Beijing 100871)

机构地区：[1]北京大学艺术学院,北京100871

出　　处：《文化艺术研究》2020年第3期103-110,共8页Studies in Culture and Art

摘　　要：20世纪中国艺术批评史暨电影批评史的研究应该贯彻一种"整体观",即秉持一种全局、宏观的艺术批评视野和开放动态的艺术史意识。20世纪艺术批评史的写作应该基于三个"整体观":其一,艺术门类或学科"整体观";其二,电影(艺术)批评方法"整体观";其三,20世纪艺术史"整体观"暨艺术批评史"整体观"。这三个"整体观"是互相联系、互为依存且互相促进的,这是观念更新、方法革新后自然而然的必然选择。依循这种"整体观"方法论,可以把20世纪艺术批评史划分为三个阶段:转型与建设期、转折与集中期、开放与多元期。自20世纪末和21世纪以来,艺术批评和电影批评进一步面临功能、方法、媒介、接受与传播等的巨大转型。一些新的现象、问题层出不穷。The 20th-century art criticism history and film criticism history shall have a integral view,or a comprehensive understanding of art criticism and an open perspective on art history.The writing of the 20th-century art criticism history shall have three integral views including that of the art discipline,of film criticism,and of the the 20th-century art history and art criticism history.These views are interconnected,interdependent,and enhancing each other,an inevitable result after the renovation of ideas and methodology.Therefore,the 20th-century art criticism history falls into three stages:constructing,turning,and opening.Since the end of the 20th century,art criticism and film criticism have been transforming in terms of function,methodolody,media,acceptance,and communication,facing new problems and a bigger challenge.

关 键 词：20世纪 艺术批评史 电影批评史 方法论 整体观 

分 类 号：J909[艺术—电影电视艺术]