论"墨戏"的缘起与生成  

The Origin and Formation of the"Ink Play"

作　　者：谷疏博 GU Shubo(School of Theatre,Film and Television,Conmmunications University of China,Beijing 100024)

机构地区：[1]中国传媒大学戏剧影视学院,北京100024

出　　处：《文化艺术研究》2020年第3期132-141,共10页Studies in Culture and Art

基　　金：中国传媒大学中央高校基本科研业务费专项资金资助项目"墨戏研究"(项目编号:CUC19D019-1)的阶段性成果。

摘　　要：墨戏作为文人画兴起的重要载体,它颠覆了绘画常法,以不求形似求生韵、注重瞬间挥洒效果为特征。墨戏正式诞生于北宋时期,其缘起与生成是政治、文化、经济等因素综合作用的结果,这集中体现在形而上之思想动因、本体之理论建构以及形而下之工具材料三个维度上:北宋士阶层的变迁带来人文精神的高涨,苏轼"士人画"理论体系使得"墨戏"审美趋向得以确立,工具与材料的变迁助推了"墨戏"恣意挥洒式创作的实现。As a pioneer of the literati painting,the "ink play" broke up the regulations in the Chinese tradition,pursued the essence of the subject instead of the likeness,and emphasized arbitrariness.Born in Northern Song,It stemmed from the politics,culture,and economy of the time which were shown in three dimensions including metaphysics,ontology,and physics,in other words,the social changes that led to the rise of humanism,the theories about the literati painting,and changes in art supplies,all led to the rise of the "Ink play".

关 键 词：墨戏 北宋 士大夫 士人画 苏轼 工具材料 

分 类 号：J203[艺术—美术]