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作 者:许龙[1] XU Long(School of Liberal Arts,Jiaying University,Meizhou 514015,China)
出 处:《嘉应学院学报》2020年第5期51-54,共4页Journal of Jiaying University
摘 要:司马迁的"发愤著书"说影响深远,从东汉到明清两代被人反复论及。目前,学界普遍采用创作心理学的视角对它进行研究。其实,该观念在古代不断被人探究,不仅仅因为它是一种文学的创作观念,更重要的,是其蕴含着中国文化主流的深层精神内核:以道德为终极关怀。司马迁把"发愤著书"视为创作者纯化向善意志的道德修身活动,从而引发历代许多文人及文论家生命终极意义上的价值认同和精神共鸣。它彰显了中国古代文论不同于西方文论独特的文化底蕴。Sima Qian’s theory of"Indignation spurs one to write great works"has a profound influence,which has been repeatedly discussed from the Eastern Han Dynasty to the Ming Dynasty and the Qing Dynasty.At present,the academic circles generally use the perspective of creative psychology to study it.In fact,this concept has been constantly explored in ancient times,not only because it is a literary creative concept,but also because it contains the deep spiritual core of the mainstream of Chinese culture:taking morality as the ultimate concern.Sima Qian regards "Indignation spurs one to write great works"as a moral cultivation activity for the creator to purify his will to be good,which led to the value identification and spiritual resonance in the ultimate life sense of many scholars and literary theorists in the past dynasties.It shows the unique cultural connotation of ancient Chinese literary theory different from western literary theory.
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