理想与现实的交错——论《太阳照在桑干河上》女性形象的身体与生命  

Intersection of Ideal and Reality——On the Body and Life of Female Images in The Sun Shines on the Sanggan River

作　　者：杨程[1] YANG Cheng(Institute of Language and Literature,Hebei Academy of Social Sciences,Shijiazhuang 050051,China)

机构地区：[1]河北省社会科学院语言文学研究所,河北石家庄050051

出　　处：《社会科学论坛》2020年第6期21-27,共7页Tribune of Social Sciences

基　　金：国家社会科学基金青年项目《新感觉派的身体审美与生命意识研究》阶段性成果,项目编号:16CZW060。

摘　　要：《太阳照在桑干河上》塑造了一批有代表性的农村女性形象。在土改之前的社会中,她们受到封建剥削和男性威权的双重压迫,其身体是压抑的,生命是畏缩的,甚至自觉地自轻自贱。土改之后,底层妇女获得了土地,基本的身体权利得到了保障,但是她们在社会与家庭中的地位并不会骤然改变,其自身的觉醒更不可能一蹴而就。丁玲实际是将妇女解放问题悬置在了表面上,这就使《桑干河》中妇女的"翻身乐"显得浅显和理想化,凸显了妇女解放运动中理想与现实的裂隙,也显现出丁玲内心的挣扎与犹疑。The Sun Shines on the Sanggan River has created a group of representative rural female images.Before the land reform,these women were oppressed by both feudal exploitation and patriarchy.Their bodies were repressed,their lives were flinched and they even looked down upon themselves consciously.After the land reform,women at the bottom of the society obtained a piece of land and their basic physical rights were guaranteed.However,their status in the family and society did not change suddenly,and their own awakening could not be accomplished overnight.In this novel,Ding Ling puts the issue of women’s liberation on the surface,which makes the issue simple and idealized.The Sun Shines on the Sanggan River highlights the gap between the ideal and reality in women’s liberation movement,and also shows Ding Ling’s inner struggle and hesitation.

关 键 词：《太阳照在桑干河上》 女性 身体 生命 

分 类 号：I207.425[文学—中国文学]