王夫之《诗经》阐释的三个重要诗学命题  

Three Important Poetic Propositions in Wang Fuzhi’s Interpretation of The Book of Songs

作　　者：毛宣国 Mao Xuanguo(College of Literature and Journalism, Central South University, Changsha 410083)

机构地区：[1]中南大学文学与新闻传播学院,湖南长沙410083

出　　处：《华中师范大学学报（人文社会科学版）》2020年第6期69-78,共10页Journal of Central China Normal University:Humanities and Social Sciences

基　　金：国家社会科学基金一般项目“诗经阐释与中国古代诗学观念的演进研究”(14BZW009)。

摘　　要：王夫之诗学理论建构与《诗经》阐释密不可分,它主要通过三个命题体现出来。“《诗》者,幽明之际”以《诗经》祭祀诗为对象,重视诗乐在沟通人神中的功用,并以音乐为介质展示了幽明隐显、形上与形下世界中诗歌本体存在的意义;“诗以道情”说从《诗经》批评实践出发,不仅会通“诗言志”和理学家的性情论等理论资源,而且以“气”的哲学观念为本,突出了“情”与“景”、“心”与“物”不可分离的本源性的关系,因而具有了超越传统情感诗学的价值与意义。“兴观群怨”是中国《诗经》学和诗学史上的重要命题,王夫之对这一命题阐释的意义在于,它以“情”为中心,将“兴观群怨”作为一个不可分割的整体,并从“现量”说的意义上阐释“兴”,因而赋予了这一命题新的内涵。The construction of Wang Fuzhi’s poetic theory is closely related to the interpretation of The Book of Songs,which is mainly manifested in three propositions.“The Book of Songs is at the time of dark and bright”takes the sacrificial poems in The book of Songs as the object,attaches importance to the function of poetry and music in the communication between human beings and gods,and uses music as the medium to show the significance of the existence of poetry itself in the metaphysical and real world.The theory of“poetry with feelings”is based on the criticism practice of The book of Songs,which can not only connect the theoretical resources,but also take music as the medium.Based on the philosophical concept of“Qi”,it emphasizes the original relationship of“emotion”and“scenery”,as well as“heart”and“matter”,so it has the value and significance beyond the traditional emotional poetics.“Xing Guan Qun Yuan”is an important proposition in the study of The book of Songs and the history of poetics in China.The significance of Wang Fuzhi’s interpretation of this proposition lies in that it takes“emotion”as the center,and interprets“Xing”in the sense of the theory of“current quantity”,thus endowing this proposition with new connotation.

关 键 词：王夫之诗学 《诗经》阐释 “《诗》者 幽明之际” “诗以道情” “兴观群怨” 

分 类 号：I20[文学—中国文学]