叶燮《原诗》创作主体论探赜  

A Probe into the Creation Subject Theory in YE Xie’s Origin of Poetry

作　　者：王若尘 WANG Ruochen(School of Literature,Chongqing Normal University,Chongqing,401331,China)

机构地区：[1]重庆师范大学文学院,重庆401331

出　　处：《内江师范学院学报》2020年第11期60-65,共6页Journal of Neijiang Normal University

基　　金：国家社科基金项目“清代唐宋诗之争的主要理论问题与逻辑进程”(17XZW019)。

摘　　要：叶燮《原诗》中提出的创作主体论具有鲜明的中国古代文论特色,强调以“我”为主,以创作主体的才、胆、识、力为框架,形成一个较为系统的诗歌理论体系,将明清诗歌创作由向古人、向他者的外向性取法,转化为向“在物”之穷尽万有与“在我”之穷尽此心的自主性创造。这标志着中国诗歌理论演进方向的新变。The creation subject theory proposed in YE Xie’s Origin of Poetry has distinctive features of the ancient Chinese literary theory.It stresses“I”as the subject,thus forming a relatively perfect system of poetry theory with the creation subject’s talent,bravery,knowledge and power as the framework.It converted the ancient and other people oriented extravert tendency of the poetry creation in Ming and Qing Dynasties to that of the subjective creation of description of all.This stood for the new change of the evolution direction of the Chinese poetry theory.

关 键 词：叶燮 《原诗》 创作主体论 才、胆、识、力 

分 类 号：I207.2[文学—中国文学]