谷崎润一郎文学中的美学意识——以《细雪》为中心  

Aesthetic Consciousness in Tanizaki's literature-—Centered on Fine Snow

作　　者：苗静[1] MIAO JING(Department of Literature,University of Chinese Academy of Social Sciences, Beijing 102488, China)

机构地区：[1]中国社会科学院大学文学系,北京房山102488

出　　处：《长春大学学报》2020年第11期85-90,共6页Journal of Changchun University

摘　　要：文章主要对日本唯美主义作家谷崎润一郎晚年的集大成代表作《细雪》中的历史观,东洋与西洋的融合,时间性,女性描写等方面进行了详细论述。有别于国内关于谷崎润一郎研究传统流派的单纯强调日本古典美的学说,详细分析了谷崎润一郎作品中东洋和西洋文化的碰撞和融合,力求探索其在谷崎润一郎文学的美学意识中的体现。论述谷崎润一郎从呼吁回归日本传统到提倡日西合璧过程的同时,对作家对于女性描写的时代变迁作了深入解读。This paper mainly discusses in detail the historical view,the integration of the East and the West,the temporality,and the description of women in the representative work of Japanese aestheticism writer Tanizaki Runichiro in his later years.Different from the domestic research on Tanizaki Junichiro’s traditional school that simply emphasizes Japanese classical beauty,it analyzes in detail the collision and integration of eastern and western cultures in Tanizaki Junichiro’s works,and tries to explore its manifestation in the aesthetic consciousness of Tanizaki Junichiro’s literature.This paper discusses the process from calling for the return of Japanese tradition to advocating the integration of Japan and the West,and at the same time,it makes a deep interpretation on the changes of the times of female description.

关 键 词：谷崎润一郎 《细雪》 西洋 东洋 对立 融合 女性描写 

分 类 号：I313.074[文学—其他各国文学]