书斋夜观,学人本色:王国维的词心、词境及词学观  

True Qualities of a Scholar Thinking in the Study at Night:Wang Guowei’s True Feelings,Artistic Conception and View on the Creation of Ci Poems

作　　者：杨柏岭[1] YANG Bailing(Research Center of Chinese Poetics/School of Journalism&Communication,Anhui Normal University,Wuhu,Anhui 241000)

机构地区：[1]安徽师范大学中国诗学研究中心/新闻与传播学院,安徽芜湖241000

出　　处：《中国文学研究》2020年第4期62-69,共8页Research of Chinese Literature

基　　金：国家社会科学基金一般项目“清代乾嘉以降词史演进的文化学考察”(12BZW055)。

摘　　要：针对学界多从阅历、时代、社会等大背景,轻视从职业、生活及习惯等小环境解读王国维词的现象,认为书斋是王国维词心唤起的主要氛围及内容,习惯于夜间填词的创作方式致使其词以暮色、夜色意象为主,而"窗"意象担负着词人仰观、俯视宇宙人生的重要中介。与书册为伴的王国维填词,并不为知识所累,而尤重直观创造词境的能力,其"亦哲学,亦文学"的词学观则是其创作经验的升华。In view of the phenomenon that Wang Guowei’s Ci poems were interpreted based more on macro factors such as experiences,times and society than on micro ones such as occupations,life and habits in the academic circle,this paper holds that the study was a major atmosphere and content that aroused his true feelings in the creation of Ci poems,in which the dominant imagery of twilight and scenery after dark resulted from his habit of writing at night,and the imagery of"windows"served as an important medium for him to look up at the universe and down at life.He liked reading but was not burdened with knowledge when writing Ci poems.He laid particular emphasis on the ability of creating artistic conception for Ci poems,and his"philosophical and literary"view on the creation of Ci poems was a distillation of his writing experience.

关 键 词：王国维 词 书斋 夜色 哲学 

分 类 号：I206.09[文学—中国文学]