中国古代艺术史上的“隔代追崇”现象  

A Study of Ge Dai Zhui Chong in Ancient Chinese Art History

作　　者：郭建平[1] 张真[1] Guo Jianping

机构地区：[1]东南大学艺术学院,江苏南京210000

出　　处：《南京艺术学院学报（美术与设计）》2020年第5期1-8,I0002,共9页Journal of Nanjing Arts Institute:Fine Arts & Design

基　　金：江苏省社会科学基金重大项目“中国古代江苏地域艺术类古籍伪作及托伪作品研究”(18ZD013)。

摘　　要："隔代追崇"以"隔代"(表现出跨越一整个王朝的间隔或者相当长一段时间)为突出特点,这种"舍近求远"的倾向,因其对临近前代的忽略以及对前代之前代的追崇,而显得比一般意义上的崇古更具有深义,其产生的背景和原因都是值得关注与研究的。值得注意的是,以中国古代各个时期的艺术作品来看,对前代艺术作品的价值、图式、趣味的继承与发展并存,既有一定意义上的回归,也有某种程度上的升华,只不过,或许由于古人认识上的局限,落实在文字上时,中国古代画论、文论、书论中谈到"隔代追崇"现象,很容易陷入机械简单的循环论,所以能指出艺术史纵向发展中存在实际上的上升趋势的理论在中国古代书画类著录中并不是常态存在。中国古代艺术史中的继承传统问题研究如果忽略了"隔代追崇",就会忽略整体趋势下的微观变化,有可能导致艺术史研究中重要细节的遗漏。本文略述管见,希冀在此领域能够做一些补遗工作。The phenomenon of Ge dai zhui chong(Revivalism Returning to the Times Before the Previous Dynasty or to a Long Time Ago) is manifested in the admiration of the art before the previous dynasty alongside with the neglect and even criticism of the neighboring one. "Ge dai"(Returning to the Times Before the Previous Dynasty or to a Long Time Ago) is the main characteristics of this phenomenon;The kind of deliberate avoidance to the immediate time period makes Ge dai zhui chong special and more meaningful compared with the general sense of revivalism. Therefore, the background and reason of this phenomenon appearing is worthy of attention and research. It is worth noting that in ancient Chinese works of art in different historical periods, the succession and development of former value, schema, and interesting in works of art have a sense of returning, as well as having sublimation to some extents;However, perhaps because of the cognitive limitations of the ancients, when it comes to the ancient Chinese painting, literary theory of Ge dai zhui chong, it is easy to fall into mechanical simple circulation theory. Therefore, it is not usual to point out that the rising trend of art history theory in ancient Chinese painting-and-calligraphy books exist in fore-and-aft development. If the research on the inheritance of tradition in the history of ancient Chinese art ignores Ge dai zhui chong, it will ignore the micro changes under the overall trend, which may lead to the omission of important details in the history of art research. In this paper, we hope that we can do some addendum work in this field.

关 键 词：隔代追崇 赵孟頫 蜕变式 

分 类 号：J110.9[艺术—艺术理论]