《威尼斯宪章》以来真实性概念的变化及实践效用研究  

Research on the Concept Change and Practical Utility of Authenticity since the Venice Charter

作　　者：王开璇 WANG Kai-xuan(Cultural Heritage Studies,Institution of Archaeology,University College London,WCIH OPY,London)

机构地区：[1]伦敦大学学院考古研究所,英国伦敦WCIH 0PY

出　　处：《阜阳师范大学学报（社会科学版）》2020年第5期125-129,共5页Journal of Fuyang Normal University：Social Science

基　　金：国家社科基金艺术学青年项目“汉代画像石墓的营造工艺研究”(17CG207).

摘　　要：自1964年《威尼斯宪章》颁布以来,真实性(authenticity)就进入了国际视野,成为文化遗产保护与管理的焦点。本文以半个世纪以来标志性的国际宪章为依据,考察真实性概念的变化轨迹,并分析其对考古遗址保护与景观管理的影响,认为概念范畴之争反映的是国际普遍原则与不同文化语境下不同保护理念的包容与冲突,也是"真实性标准"在全球文化遗产保护中始终发挥实践效用的明证。"真实性"概念不变的是以追求文化遗产的原始形态为核心,可变的是在真实性和相对性的争论中为文化遗产的保护寻找新思路。Since the promulgation of the Venice Charter in 1964,authenticity has entered the international vision and become the focus of cultural heritage protection and management.The symbolic international charter in different periods reflects the changing track of the concept of authenticity,from classical category to extended category.The controversy of concept reflects the tolerance and conflict between international universal principles and different protection concepts in diverse cultural contexts.It is also an evidence that authenticity standards always play a practical role in global cultural heritage protection.What the concept of authenticity remains unchanged is the pursuit of the original form of cultural heritage as the core,and the variable is to find new ideas for the protection of cultural heritage in the debate of authenticity and relativity.

关 键 词：《威尼斯宪章》 真实性 文化遗产 考古遗址 

分 类 号：G112[文化科学]