《夺冠》:时代性格与主旋律叙事——张冀访谈  

The Character of the Times and the Narration of the Main Melody: An Interview with Zhang Ji about Leap

作　　者：张冀 孟中[2,3,4] Meng Zhong

机构地区：[1]不详 [2]北京电影学院 [3]中国电影编剧研究院 [4]中国影协编剧教育工作委员会

出　　处：《电影艺术》2020年第6期82-87,共6页Film Art

基　　金：北京电影学院2020年度校级科研“现实主义题材创作中的人物形象塑造”(项目编号:XGH202005)阶段性成果。

摘　　要：《夺冠》取材自中国女排的真实经历,一经上映便引发了观众对主旋律叙事的全新认识。该片对时代性格的描写成为塑造人物的主要手段,其人物成长与塑造技巧、剧作结构对叙事主题的限定等都是值得思考与研究的。本次访谈围绕着编剧在现实主义创作中如何把握时代性格与塑造人物的关系、体育类型片中叙事结构的选择,以及主旋律叙事主题表达之间的有机联系展开,以期为中国现实主义创作、主旋律叙事和讲好中国故事提供经验和思考。As a sports film with the theme of the times, Peter Chan’s Leap is based on the real experience of Chinese women’s volleyball team. When the film was released, it triggered a new understanding of the main melody narrative. The description of the characteristic of the era has become the main means to shape the characters and attract the audience. Both the skills of shaping characters and the structures that limited to the narrative theme are all worth thinking and studying. This interview focuses on how to grasp the relationship between the characteristic of the era and the building of characters, the choice of narrative structure in sports films, and the expression of main melody narrative. It will provide experience and thoughts for Chinese realistic filmmaking, main melody narrative and better Chinese stories.

关 键 词：《夺冠》 体育类型片 时代性格 中国故事 主旋律叙事 

分 类 号：J905[艺术—电影电视艺术]