浅谈20世纪中国文学史书写的审美间性——以陈思和主编的《中国当代文学史教程》为例  

On the Aesthetics of Writings of Chinese Literature History in the 20th Century——Take Chen Sihe's A Course in the History of Contemporary Chinese Literature as an Example

作　　者：任冬梅 REN Dongmei(College of Chinese Language and Literature,Shaanxi Normal University,Xi'an,Shaanxi,710119,China)

机构地区：[1]陕西师范大学文学院,陕西西安710119

出　　处：《西安石油大学学报（社会科学版）》2020年第6期107-112,共6页Journal of Xi’an Shiyou University:Social Science Edition

摘　　要：20世纪以来,中国文学史的书写更加注重审美间性,始终坚持审美和历史并重。求新求变的文学进化论开辟先锋,众声喧哗、多元共生的文学观念不断形成,新时期的现代性更是剑指四方。有鉴于此,陈思和主编的《中国当代文学史教程》孕育于新世纪开放、包容的大环境,加入到了遍地开花的文学史行列。陈思和在"重写文学史"的主题先行下,以作品细读为经,以历史发展为纬,揭橥了该著作的审美间性。Since the beginning of the 20th century,the writing of Chinese literary history has paid more attention to the aesthetics,and always insisted on both aesthetics and history.The literary evolution theory of seeking innovation and change has pioneered,and the literary concept of loud voices and multiple symbioses has grown rapidly on the land,and the modernity of the new era could be seen everywhere in China.In view of this,Chen Sihe's A Course in the History of Contemporary Chinese Literature was conceived in the open and inclusive environment of the new century,and took part in the ranks of the blooming literary history.Under the theme of"Rewriting Literary History",Chen Sihe used the close reading of the work as the classics and the historical development as the latitude,revealing the aesthetics of the work.

关 键 词：审美间性 世界性 整体性 现代性 

分 类 号：I109.5[文学—世界文学]