夏目漱石文学的原点《梦十夜》再考  

A Reconsideration of Yume Juya: Natsume Soseki’s Literary Origin

作　　者：胡兴荣 HU Xing-rong(School of Languages,Shanghai University of International Business and Economics,Shanghai 201620,China)

机构地区：[1]上海对外经贸大学国际商务外国语学院,上海201620

出　　处：《山西大学学报（哲学社会科学版）》2020年第6期127-138,共12页Journal of Shanxi University(Philosophy and Social Science Edition)

摘　　要：《梦十夜》是夏目漱石成为朝日新闻社专属作家不久创作的一个小品集。在作者的创作生涯中,这是一部具有"原点"意义的作品。以这一作品为节点,其作品呈现不同的特色:在《梦十夜》之前,其作品主题朦胧多义;在此之后,作品形式多样,主题清晰明了,意旨丰富。文章基于作者初期文学、日本精神文化土壤及文学遗产等史料,深入分析《梦十夜》作为作家创作"原点"的实质,即在日本近代西洋化思潮的影响下,作为人类个体乃至国家如何生存的伦理道义与价值建构,作者的这一深思与表达,不仅夯实了其文学创作的"原点",也成为去世百年之后,其文学生命力经久不衰、价值递增的主要原因。Yume Juya is one of the short acts created by Natsume Soseki shortly after he became the exclusive writer of Asahi Shimbun. In his writing career,it is this work that marked his"point of literary origin. "With Yume Juya as the dividing line,Natsume Soseki’s literary works displayed different features: his earlier works were shadowy and ambiguous in terms of their themes;however,after Yume Juya,his works came in diverse forms,with different but distinct themes. Based on Natsume Soseki’s early literary works,Japanese spiritual and cultural soil,literary heritages and the time background,this paper analyzes and investigates the essence of Natsume Soseki’s "point of literary origin",and concludes that,under the background of Japanese Westernization,the writer’s deep reflections and literary expression,as part of the effort to construct the ethics,morals and values relevant to the survival of individual human beings and even the nation,have not only solidified his own"point of literary origin",but also provided the main reason why his literary vitality has been enduring and his literary value has been increasing,even over one hundred years after his death.

关 键 词：夏目漱石 《梦十夜》 文学原点 西洋化 生存 伦理道义 

分 类 号：I313.074[文学—其他各国文学]