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作 者:陈千里[1] Chen Qianli
机构地区:[1]南开大学文学院,天津300071
出 处:《南开学报(哲学社会科学版)》2020年第6期103-110,共8页Nankai Journal:Philosophy,Literature and Social Science Edition
基 金:教育部人文社会科学规划一般项目(17YJA751007);中央高校基本科研业务费专项资金资助项目(63192412)。
摘 要:鲁敏笔下的家庭伦理描写一般被解读为极具现实性的日常叙事,但这与作家依靠"虚妄"、追求空灵的自我期许形成些微裂隙。事实上,鲁敏小说隐含了对"家庭"的消解式的立场,这一立场与其现代性思想的个体原则构成一体两面,鲁敏小说里的形上之思正源于带有存在色彩的个体现代性思想,因此它与消解式的家庭描写本就存在着深刻的内在关联。The family ethical accounts by Lu Min are generally interpreted as very realistic day-to-day narratives.However,such an interpretation slightly diverges from her self-expectation of relying on"fallacies"and pursuing rare beauty.In fact,Lu Min’s novels have implied her dispelling positions on"family",while such positions and the individuality principle in her thought of modernity constitutes the two sides of a coin:the metaphysical thinking in Lu Min’s novels has originated from her thought about the modernity of individuality,therefore,there essentially exists a deep inherent connection between it and the dispelling family accounts.
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