“非原创天才诗学”与蒲龄恩的《卡祖梦游船》  

The Poetics of Unoriginal Genius and Prynne’s Kazoo Dreamboats

作　　者：钱兆明[1,2] Qian Zhaoming(Hangzhou Normal University,Hangzhou,Zhejiang Province,China;University of New Orleans,New Orleans,LA,USA)

机构地区：[1]杭州师范大学,浙江杭州311112 [2]新奥尔良大学,美国路易斯安那州新奥尔良市70148

出　　处：《外国文学》2020年第6期3-11,共9页Foreign Literature

基　　金：国家社科后期资助重点项目(4075F41419028)。

摘　　要：美国评论家帕洛夫将仰仗摘引拼贴铸他人原创于一炉的诗学称为"非原创天才诗学",将艾略特的《荒原》和本雅明的《拱门街计划》誉为现代主义"非原创天才诗学"的典范。英国诗人蒲龄恩于2011年发表的《卡祖梦游船》丰富提升了"非原创天才诗学",这体现在:一、该诗一反以往摘引拼贴诗只引人文经典的定向,兼引自然科学经典;二、该诗打破以往摘引拼贴诗重点引西方经典的取向,兼引大量中国经典;三、该诗所引经典不仅注释晦涩诗文,还通过"弦外之音"反思传统文化、通识教育、诗歌创作等敏感话题。本文运用帕洛夫"非原创天才诗学"的理念围绕蒲龄恩《卡祖梦游船》上述创新展开讨论。Eliot’s The Waste Land with citations of 35 classic sources has been referred to as a modernist poem of citations.Benjamin’s Arcades Project sets the record straight by forging 300 citations into a unified master-work.Critic Marjorie Perloff calls both works prototypes of the poetics of"unoriginal genius."J.H.Prynne’s Kazoo Dreamboats(2011)has enriched the poetics of unoriginal genius by extending its citations beyond humanities and Western culture to clarify ambiguities and to express concerns over cultural tradition,liberal education,and poetry-writing.Borrowing Perloff’s idea of unoriginal genius,this essay explores the above issues.

关 键 词：“非原创天才诗学” 蒲龄恩 《卡祖梦游船》 摘引拼贴诗 

分 类 号：I561[文学—其他各国文学]