胡秋原与普列汉诺夫文艺理论在中国的传播和接受  

Hu Qiuyuan and The Dissemination and Acceptance of Plekhanov’s Literary Theory in China

作　　者：吴述桥[1] Wu Shuqiao

机构地区：[1]浙江师范大学人文学院,金华321004

出　　处：《中国文学批评》2020年第4期93-102,157,共11页Chinese Journal of Literary Criticism

基　　金：2018年国家社会科学基金后期资助项目“‘自由人’‘第三种人’与中国左翼文学”(18FZW034)阶段性成果。

摘　　要：胡秋原在普列汉诺夫文艺理论的译介上起到过重要的历史作用。“大革命”期间的个人经历是他接受普列汉诺夫文艺理论的历史起点,用唯物史观解释文学是其理论兴趣所在,而“文学”与“革命”的关系则是他一以贯之的“问题意识”。胡秋原从普列汉诺夫文艺理论中发展出了自己的“文艺自由”论,在理论和现实两个方面都表现出对左翼的离心倾向。胡秋原对苏联“清算”普列汉诺夫文艺理论持一定保留态度,有别于受到“正统”译介路线影响的左翼批评家。Hu Qiuyuan’s personal experience during the Great Revolution was the historical starting point of his acceptance of Plekhanov’s theory of literature and art. His theoretical interest lied in the interpretation of literature with historical materialism, and the relationship between “Literature” and “revolution” was his consistent “problem consciousness.” Hu Qiuyuan developed his theory of “literary freedom” from Plekhanov’s theory of literature and art, showing a centrifugal tendency to the left in both theory and reality.

关 键 词：普列汉诺夫文艺理论 唯物史观 胡秋原 “左联” “自由人”论争 

分 类 号：I0[文学—文学理论]